Friday, December 5, 2014

The year 2014, as published in Theatre, involuntary oscar travel focus on the personalities of thei


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Poetry Design Culture factory installation of Klaipeda jazz orchestra graphics performance art photography workshop design drapery video book painting exhibition Concert Music Culture Communication Center
The year 2014, as published in Theatre, involuntary oscar travel focus on the personalities of their lives delegating the performing arts. In the wake of intense spring performances monitoring and evaluation of what they reikšmingiausieji year events or persons deserving Golden Cross Award, I have a great excuse to invite conversation Nele Savičenko.
To myself this is a great chance oscar travel to remember and revive closer fellowship to train their instruments and a stage speaking skills. Never forget how this man woke my voice higher register. N. Savičenko I want to retain not only as a beautiful and talented actress, from a distance, creates the impression of inaccessibility, but as the most sincere, active oscar travel and inspiring the listener. Big eyes look alive, marker for each alleged word and sentence intonation, was crucial to convey a source of motivation.
Vilnius was born and grew, study Theatrical N. Savičenko arrived in Klaipeda, joined the Paul Rooster course. And remained in this town about thirty years. In 2012 he returned to his native Vilnius. The roles of the National Drama and Oscar Koršunovas performances in theaters and intensive touring schedule it combines with teaching at the Lithuanian Academy of Music and filmavimusi various film projects. N. Savičenko this year for the third time awarded the Golden Stage Cross the main female role in the nomination. This time - for the role of Irina Arcade Koršunovas Oscar Theatre "The Seagull."
Very simple - I introvert. This is what makes the theater experience the kinds of crises. Extroverts takes pleasure in being on stage. I need a lot of internal oscar travel effort, sincere trust context and situation.
Depends on the situation. Of course, be repeated oscar travel questions make mažažodžiu, closet, repeat stencil answers. Maybe this is not quite in the subject, but I remember as a nightmare for online interview show very responsible or reportage, maybe the press conference. Impulsive response to the favorite question almost shouted, "Thank you, what good, what a wonderful question!" And then happened the ultimate paradox - aikčiodama forgot what the question was. Of course, such occurrences saves time professional oscar travel experience. First passed a long pause, and then very confidently said, "Yes." But so far I can not remember what you were asked.
Before the premiere of at least want to hear the traditional "how do you feel?", Because it is impossible to describe the feeling. If still not know everything about the role, it is like being in between heaven and earth. And if you are perfectly all of the analysis and tapatiniesi or live the character, not too slurp. You know, the actors very superstitious. And what I would? Once there was an interesting question about the actor's voice - when it natural? It is very hard to describe, because it is just as natural as speaking: you just a bit maddening something or imagine you are, the self trying oscar travel to speak the character characteristic voice. Probably completely natural timbre oscar travel of the voice actor appears in emergency - when frightened, he gets confused. oscar travel Or just woken up when something burbs yourself right under your nose.
Speaking publicly nesykį mentioned a desire to expand the "romantic, beautiful eyes, a woman role specialization. Later roles specifics have changed - not sometimes play ugly, repugnant character woman. Are you currently creating another new role?
Not at the moment, but very intense rehearsing display performances. Especially Korsunovas theater oscar travel director oscar travel as very deep into the creative process and the continuing improvement of love, "grind". It's very good. While the actors are the biggest menace to see directors sitting in the front row and constantly writing something. Clearly, he captures moments and good, but after a spoken phrase Sighted inclined his head and moving a pen there is anxiety. Certainly, during quite often, and eventually formed immunity director of note-taking nebeišmuša balance. Sometimes he would summon us, because there are structural changes in the action. Reasoned, motivated. For example, Maxim Gorky "The Lower Depths", we from the very beginning "prophylactic" rehearse ever choose to upgrade to discuss.
The performance is different every time, because it meets the audience is different, that most determines the course of the evening sound of the atmosphere. Never nesusirenka all who have seen the performance. There is always a new observers. Although there are t

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